Leonard Quart's American Film and Society since 1945 PDF

By Leonard Quart

ISBN-10: 0313382522

ISBN-13: 9780313382529

ISBN-10: 0313382530

ISBN-13: 9780313382536

ISBN-10: 1440800790

ISBN-13: 9781440800795

During this latest replace to American movie and Society due to the fact 1945, the authors extend upon prior variations by means of including motion pictures formerly overlooked, and develop their research of a few movies by means of discussing how those works seize the temper and values of yank society in a selected decade. Interpretation of movies can contain direct connections with social and political matters, yet usually take care of the real subtext of desires, wishes, and displacements that the yankee public feels. contemporary motion pictures that current homosexual relationships and politics, akin to Brokeback Mountain and Milk, and that handle race family members and concrete real looking Crash and beneficial are tested. This fourth variation additionally addresses alterations within the glossy movie akin to convergence and the electronic revolution.

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They desired war films that exulted in America by creating mythical — ethnically, regionally, and occupationally heterogeneous — platoons to personify American democracy. By the end of the war, however, with victory clearly in sight, self-righteous propagandistic films like God Is My Co-Pilot (1943) and The Purple Heart (1944) were replaced by more sophisticated and realistic films. Among the first of these was Lewis Milestone’s A Walk in the Sun (1945), which provides a realistic treatment, through its subtle and moving use of close-ups and light and shadow, of an infantry unit’s battle fear and anxiety.

The films gave expression both to alluring wish fantasies about love and luxury and to the frustrations of housewives by dealing with women who led self-sacrificial lives, had ungrateful children, or had to deal with chronic and terminal illnesses. 22 In many ways, Mildred Pierce fit the women’s films pattern. It carried a predictable narrative about a mother’s self-destructive love for her daughter, tended toward overstatement and hysteria, and contained major characters who lacked even a hint of psychological nuance.

The last years of the decade did see Hollywood beset by labor troubles, adverse Supreme Court decisions (the Paramount case), and the aftereffects of the HUAC hearings — leading to the blacklisting of a large number of major creative contributors to the industry. 14 Nowhere was this optimism more evident than in the war films that the studios churned out through the war years. The overriding purpose of these films was patriotic uplift, and despite the fact that an occasional hero lapsed into Casablanca-like (1942) cynicism or malaise, they were all eventually aroused to a commitment to the collective struggle against fascism.

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American Film and Society since 1945 by Leonard Quart

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